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dc.contributor.authorWakefield, Peter W.en_US
dc.contributor.authorCage, Stephanieen_US
dc.contributor.authorCoffman, Christopher K.en_US
dc.contributor.authorStiemsma, Shaunen_US
dc.contributor.authorWilson, Nicholas C.en_US
dc.contributor.authorMorrissey, Melissaen_US
dc.contributor.authorJankowski, Harmonyen_US
dc.contributor.editorSullivan, Meganen_US
dc.contributor.editorCoffman, Christopheren_US
dc.contributor.editorBuerger, Sandraen_US
dc.contributor.editorBoots, Cherylen_US
dc.contributor.editorLavalli, Karien_US
dc.contributor.editorRenstrom, Joelleen_US
dc.contributor.editorStewart, Matthewen_US
dc.contributor.editorSweeting, Adamen_US
dc.contributor.editorTyler, Megen_US
dc.contributor.editorVandenberg, Kathleenen_US
dc.contributor.editorWorth, Aaronen_US
dc.date.accessioned2019-06-21T12:58:11Z
dc.date.available2019-06-21T12:58:11Z
dc.date.issued2019-02
dc.identifier.citationIMPACT 8(1), Winter 2019. Boston University College of General Studies
dc.identifier.isbn10-0615582478
dc.identifier.isbn13-978-0-615-58247-4
dc.identifier.issn2325-0232
dc.identifier.urihttps://hdl.handle.net/2144/36023
dc.descriptionIMPACT: The Journal of the Center for Interdisciplinary Teaching & Learning is a peer-reviewed, biannual online journal that publishes scholarly and creative non-fiction essays about the theory, practice and assessment of interdisciplinary education. Impact is produced by the Center for Interdisciplinary Teaching & Learning at the College of General Studies, Boston University (www.bu.edu/cgs/citl).en_US
dc.description.abstractIn this issue of Impact you will find a humanities scholar deeply engaged with the arcing out of a new territory: the interdisciplinary study of the Grateful Dead. Impact’s own Christopher Coffman’s review essay should be required reading for scholars of popular music, performance studies and history. His review also serves as an important reference for those who aspire to teach a course on the Grateful Dead, as well as for those who wish to write review essays. In this issue we also hear from those who are engaged in teaching people who are incarcerated. Importantly, Stephanie Cage’s essay looks to incarcerated people themselves to find out what they think about prison education. Peter Wakefield encourages us to see The Great Gatsby anew, in particular in the context of American racism and White supremacy. Wakefield’s essay is important too because it had its genesis in Writing, the State, and the Rise of Neo-Nationalism: Historical Contexts and Contemporary Concerns, a conference sponsored by the Center for Interdisciplinary Teaching & Learning.en_US
dc.language.isoen_US
dc.publisherBoston University College of General Studiesen_US
dc.relation.ispartofseriesIMPACT;v. 8, no. 1
dc.rightsCopyright © 2019 by the College of General Studies, Boston University. Impact provides free and open access to all of its research publications. There is no charge to authors for publication, and the journal abides by a CC-BY license. Authors published in Impact retain copyright on their articles, except for any third-party images and other materials added by Impact, which are subject to copyright of their respective owners. Authors are therefore free to disseminate and re-publish their articles, subject to any requirements of third-party copyright owners and subject to the original publication being fully cited. Visitors may download and forward articles subject to the citation requirements; all copyright notices must be displayed.en_US
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectNationalismen_US
dc.subjectWhite supremacyen_US
dc.subjectGreat Gatsbyen_US
dc.subjectGrateful Deaden_US
dc.subjectPrison educationen_US
dc.titleIMPACT: The Journal of the Center for Interdisciplinary Teaching and Learning. Volume 8, Issue 1, Winter 2019en_US
dc.typeOtheren_US


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Copyright © 2019 by the College of General Studies, Boston University. Impact provides free and open access to all of its research publications. There is no charge to authors for publication, and the journal abides by a CC-BY license. Authors published in Impact retain copyright on their articles, except for any third-party images and other materials added by Impact, which are subject to copyright of their respective owners. Authors are therefore free to disseminate and re-publish their articles, subject to any requirements of third-party copyright owners and subject to the original publication being fully cited. Visitors may download and forward articles subject to the citation requirements; all copyright notices must be displayed.
Except where otherwise noted, this item's license is described as Copyright © 2019 by the College of General Studies, Boston University. Impact provides free and open access to all of its research publications. There is no charge to authors for publication, and the journal abides by a CC-BY license. Authors published in Impact retain copyright on their articles, except for any third-party images and other materials added by Impact, which are subject to copyright of their respective owners. Authors are therefore free to disseminate and re-publish their articles, subject to any requirements of third-party copyright owners and subject to the original publication being fully cited. Visitors may download and forward articles subject to the citation requirements; all copyright notices must be displayed.